Really I’m a sober soul but I’m with the homies right now Everybody, everybody Everybody Everybody sit your b*tch ass down and listen to this true mothaf*ckin' story told by kendrick lamar on rosecrans, ya b*tch. ... "Doo! In the line right before he says this he says, “I got the blunt in my mouth, usually I’m drug free, but shit I’m ‘with the homies’.” Kendrick’s tone is something of lackadaisicalness, not caring really because it’s fine because he is with the homies. Doo!…Doo! A$AP Rocky’s attention to sound is impeccable, he was not only able to envision, but assimilate, the likes of Drake, Most artists have a goal, at some point, to work with, or better yet, be mentored by, someone they looked up to when they were struggling, someone who influenced them in such a major way. ( Log Out / Doo! The last “Scooby” film to hit theaters was “Scooby-Doo: Monsters Unleashed” in 2004. I say this because the way they convince him to do all these things that he really doesn’t want to do, and they know he doesn’t want to do it. Kendrick blacked out on this verse, spitting to his last breath, it seems, and we love that strained and possessed tone, as if he just snapped into another state of consciousness, but sadly that was the end of his verse. A$AP Rocky’s attention to sound is impeccable, he was not only able to envision, but assimilate, the likes of Drake, 2 Chainz and Kendrick for this song. It definitely would not have had the same impact, and been the "perfect posse cut" Rocky was hoping for, without Kendrick among the guests. Because everybody sees Dre as just a gangsta rapper, but he shares the same story that I have, a good kid in a mad city.”, We’ll just continue to satiate ourselves with old. Before we can talk about this Kendrick verse on. And while others might want to copy what these two are doing, they don’t let this flattery slow them, they’re already onto the next stage, continuously evolving. then a couple of weeks ago i decided to click on this link that was posted on the pitchfork.com website that directed you to a video of lamar … It definitely would not have had the same impact, and been the "perfect posse cut" Rocky was hoping for, without Kendrick among the guests. Though hip-hop is subject to touch on issues such as death and violence, it's often in the context of the environment they grew up in, an uncontrollable circumstance. The tone from hear on out is a great symbol for the darkness that is to come from him hanging with his homies. Doo! Doo!”) It’s 2:30 and the sun is beaming One day, it’s gon’ burn you Kendrick admits the jealously that lay in his heart when seeing many others make it out of the city of Compton before him, while he pondered on how to do the same. Doo! “You wanna see a dead body?” Kendrick is foreshadowing what he’s intending to do to this song, and his opening line is a memorable one. We wish we could include every single feature that Kendrick has been on, but that would defeat the purpose of this list. Everybody, everybody Everybody Everybody sit your bitch ass down and listen to this true mothafuckin' story told by Kendrick Lamar on Rosecrans, ya bitch Smoking on the finest dope ... Doo! We’ve seen artists reinvent themselves with alter egos, as a form of separation of self. A$AP Rocky and. In his feature, a stand out on, React like an infant whenever you are mentioned, Trying to contain oneself at the sight of the features on “1Train” requires self-control. in later use) an itinerant actor or performer; (also in weakened sense) a man….” The way Kendrick Lamar is using homies is not exactly the same as the OED definition but looking at the deeper meaning of the song, you could possibly argue that his homies were in a way his “masters”, and they are certainly all men. Rocky explains his reasoning for bringing together this diverse list of upcoming artists (at the time), as wanting to “make the perfect pose-cut of 2013” and “bringing that feeling back.” A$AP Rocky didn’t fail in his efforts. Kendrick’s comfort in being vulnerable on any track often draws us in. The Art Of Peer Pressure. Doo!") In the first studio session, we clicked so crazy. Of course, we mean Dr. Dre, but West Coast OGs as a whole have symbolically passed the torch down to Kendrick -- we’re talking The Game, Snoop Dogg, Kurupt, Daz, and Warren G. In an interview with Complex in 2011, Lamar spoke on the nature of his relationship with Dr. Dre: “Dre and I have a personal relationship. 5 being average, 10 a must have and a 1 pretty much a paper weight. It was more like a uncle-nephew kind of vibe. dubbed this as one of the most important moments of the decade. Doo! The tone changes multiple times in reference to “the homies” in this song, it shows Kendrick’s ups and downs with the homies, and the fact that he gets pressured into doing a lot of things he doesn’t really want to do because he wants to be accepted by “the homies.” Throughout the song though, because nothing bad happened with the homies he feels relief and continues to be pressured by them until it comes to a climax later in the album. Before we can talk about this Kendrick verse on The Game’s “The City,” we have to speak about Kendrick’s second verse on “Black Boy Fly” from Good Kid, m.A.A.d City. At one point or another you know you wanted to exclaim “Girl, I know you want this dick!” with the same energy. Like many of us, Kendrick’s Spanish bars also caught, idea what he said[...] And I had no idea he was gonna do that. Kendrick has mastered this skill to the utmost, whether it be through his use of different voices and cadences, or his multifaceted subject matter and lyrical content (both ratchet and righteous, to borrow a quote from Charlamagne Tha God), or else his nicknames, Kung Fu Kenny, K. Dot, and Kendrick Lamar all representing different versions of the same self.
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