But in that now-quaint Roman-numeral epoch, for every sequel that was actually able to match (or, at times, even surpass) its predecessor in box office and topical-cultural mojo, like “Rambo: First Blood Part II” or (yes) “The Empire Strikes Back,” there were two dozen others like “Poltergeist II: The Other Side,” “Grease 2,” “Porky’s II: The Next Day,” “Conan the Destroyer,” “Caddyshack II,” “Staying Alive,” “Crocodile Dundee II,” “Cocoon: The Return” — movies that had no organic reason to be, and were forgotten practically the day after they were released.When you scan those titles, what that junkyard of rusty, forgotten duds adds up to is the larger truth about sequels: They exist, as art and as business, to remind you of something that existed before. Yet it’s more than just the money. In cinemas December 17, 2015.Watch the first teaser of Star Wars: The Force Awakens! You IMDb scum. We can only guess what “Solo,” directed by Phil Lord and Chris Miller, might have looked like, but when the decision was originally made to bring these filmmakers on board, their brand was defined precisely by the spark of entertaining irreverence that ultimately got them canned. In 2015, director Josh Trank In the case of Benioff and Weiss, the vague lingering issue of “creative differences” hangs over the departure, but the situation is more ambiguous, since the two writer-producers signed on for a major deal with Netflix that would have gotten in the way of their delivering a new “Star Wars” trilogy in a timely fashion.

It’s that what “Star Wars” has come to represent is a kind of capitalist religion: the notion that Hollywood can create a universe that’s so powerful, such a golden goose, that it never has to end. Yet it created a new template.

And that’s the larger agenda — to keep “Star Wars” going the way it has been.But what does that mean now that the extended saga of Luke Skywalker is nearing its completion? Star Wars: Güç Uyanıyor (Yıldız Savaşları 7) filminde bu seriye yeni katılan Rey ve Finn karakterlerinin çevresinde şekillenen, Karanlık Taraf olan İlk Düzen'den (First Order) kaçarak hayatta kalma ve droid BB-8'e verilen gizli görevi yerine getirme öyküsü, Güç'ün yeni sahibine seslenmesiyle de farklı bir boyut kazanıyor. It’s worth recalling that back in the ’80s, when sequel fever first kicked in and changed the industry, a sequel, with its stacked-deck fan base, could make a lot of money on its opening weekend (before doing a quick fade).

So who knows, exactly, what they were planning?In almost every case, what’s been demonstrated is that the executives in control of the “Star Wars” empire are being driven by a conflict they have not figured out a way to resolve.
Star Wars: The Force Awakens director J.J. Abrams and his small army of artistic collaborators, technicians, and craftspeople, make sure to always change their methodology, swapping one gag for another, which keeps the audience engaged, surprised, and completely fooled, in a way that only a Star Wars film is capable of. Star Wars: Force Arena was a 2017 Star Wars-themed player versus player real-time game mobile game from Netmarble Games and Lucasfilm, involving characters and military units that appeared in all major Star Wars film installments released before 2019.. Replay Video Your Facebook name, profile photo and other personal information you make public on Facebook (e.g., school, work, current city, age) will appear with your comment. That’s why, well into the ’90s (the era of “Another 48 HRS.,” “RoboCop 2,” and “Speed 2: Cruise Control”), they were a form greeted with a mixture of (momentary) enthusiasm and (mostly) mockery.But all that changed in 1999 with “Star Wars: Episode I — The Phantom Menace.” It was a movie that few pretended to like (well, actually, a lot of people pretended to themselves that they liked it — for about two months, until reality set in). The birth of the Marvel Cinematic Universe, in 2008, was a direct iteration of this philosophy, one that emerged in spirit out of what George Lucas had accomplished with his prequels. You will be redirected back to your article in And though it has given us vital new characters (Daisy Ridley’s Rey, Adam Driver’s Kylo Ren), what has The most telling departure in the recent history of “Star Wars” firings was the dismissal of Phil Lord and Chris Miller from “My guess is: No, they wouldn’t have. The fear of making a mistake, of inventing the next age of “Star Wars” only to see the universe fall off a cliff, cannot be overstated.
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